Letter to a friend

Letter To A Friend

Dear Nazim,
Today a well meaning friend
made me realize where I was.
“Are you over her yet, it’s been a month?”
Nazim it’s the twenty-first century
and grief lasts at most a month.
And life is a laughing matter.
Grieving has a new name, pathology
treatable by doctors and drugs.
Nazim, today when love stops loving
Juliet sports a new haircut
and Romeo buys a new car.
You must not live too seriously now,
I mean, loving weighs less now.
Nazim, today it is a crime to die for love.
You grieved then, as I grieve now
We must love long or losing love,
long grief is tribute to it.
But look it’s the new millenium.
No time for matters of the heart.
I will plant olive trees, Nazim, and
next year cut them down and plant cherry.

Sculpting In Wood

Dear Reader:

If you will bear with me, I would like to comment upon a commonly held belief regarding sculpture in wood: that is, that sculpture in wood is somehow inferior to sculpture in either stone or bronze.  This misreckoning is often held by both collectors and dealers alike.

I believe the origin of this idea is that wood is fairly easy to acquire, as where there is a forest, there is wood.  Because of this ready availability, anyone who wants to sculpt can.  It is much like the instamatic camera, which allowed everyone to take photos; some were good, many were of dubious quality.

However, the material does not dictate the subject or the quality of execution.  One need only look at the wood sculpture of Ernst Barlach, Alexander Archipenko, Paul Gauguin, Elie Nadelman or Osip Zadkine, John Rood and Chiam Gross, among many others, to see fine work in wood.

What about durability?  There exist today sculptures in wood that are over 4,000 years old.  Stone sculpture around the world is degraded by the action of fungus; bronze sculpture is corroded by oxygen and airborne pollutants.

In the end, there are a multitude of materials with which to make sculpture: stone, metal, plastic, glass, television sets, grass, fluorescent tubes, bad attitudes, wood, etc.  One material is not inherently better than another.  It is the sculptor who makes all the difference.

Knox
October 12, 2011